It's tough not to see Wood as a human talisman of the midcentury comics industry's sins, a benday-dotted Lear.
I quit Cannon after a not unenjoyable hundred pages or so encompassing what I'd estimate to be a few hundred murders and a few dozen sex scenesonce the third or fourth adventure's bad guy was revealed as an incognito Adolf Hitler.
While Wood pared down Hal Foster, Toth's style cuts every ribbon of faux-cinematic fat from Milton Caniff and Noel Sickles.
The idea of nude boudoir photography is to work in dynamic lighting conditions in the studio.
Wood's wielding of craft is rendered powerless: no artist could have imbued this collection of material, taken as a whole, with any frisson.
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